If being a has-been who never quite lived up to expectations means two Michelin stars and a host of good works, then sign me up.
It's always nice to see David "United States of Arugula" Kamp in DI/DO, but this was a curious sort of piece. Charlie Trotter raised the bar for dining in Chicago, and still runs this exellent restaurant. And he brings in utes, cooks them nice food, and tries to motivate them. His former employee, Grant Achatz, has three stars, while Trotter has to content himself with two. Even that is a dis:
Evidently, a lack of bacon trapezes (Alinea) or wild-boar sloppy Joe (gonzo-hipster)* consigns a chef to the unhappy fate of simply running a really good restaurant. The bigger knock, however, is Trotter's failure to establish a beachhead in NYC, or to thrive in Vegas. Trotter's absence from Top Chef Masters goes unmentioned here, but seems of a piece with the larger concerns with what Trotter's done since opening the best restaurant in Chicago at the age of 27.
What strikes me about Kamp's piece is not any lack of sympathy on his part, but how much the yardsticks for cheffly success have changed. Not that long ago, holding down two Michelin stars in a relatively out of the way part of the dining world would have been something to celebrate. Indeed, a two-Michelin-star chef who screams at his cooks sounds like MFKF's bread and butter. Put Trotter's in France a generation ago, and it's a Thing. Evidently, Trotter's food is very good:
I'll take that over a wild-boar Sloppy Joe, thanks. In general, what Kamp describes -- a chef-proprietor with some love from Mr. Bib, who consistently cooks really good food and yells at his staff -- is what used to be the epitome of Chef. Now, lack of an outpost in Dubai, and failure to hobnob with Padma, put you in the also-ran category. Were I Trotter, I might be saying something to myself about how it's the pictures that got small. (Speaking of pictures, in the print ed of the Times, the big B&W pic seems to be laying it on a little thick, considering that it was taken in 1991, when color photography was widely available. Based on available images, the B&W seems like a reach.
*Achewood fans cannot read the words "gonzo" and "restaurant" in the same sentence without recalling the Sani-Taco story arc.
Goals determine what you are going to be.
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